Jill
Troutman grew up in Iowa. She developed an interest in helping women look
their best so she went to a beauty school in Denver. Eventually she moved
to Greensboro as a recently divorced single mother. There she worked in
the beauty industry through 1982. Her positions covered many aspects of
the industry: training at beauty schools and salons, supervising salons
for a national chain, and serving as a platform stylist at national conventions.
During this time of her life painting was a hobby.
At the age of
45 on the advice of her mentor she withdrew from the beauty business and
went to art school in New York for the summer. Then she received the Art
Student League Fellowship and she went to Sweet Briar in Virginia. She
followed this by going to France with the Cleveland Institute of Art.
There she met her husband Lear Cherrington who was involved in art education.
In 1985 after a year in New York the couple moved to Mebane
where they started Eagle Point as sculpture garden for the visually impaired
and a conference center. The design for this garden was done with the
help of a designer from the Harvard School of Landscape Design. The idea
for garden was inspired by a blind friend of Jill’s whom she had
met in 1979. He asked her to describe her paintings that were hanging
in the High Point Theater Gallery. She wrote conversational titles such
as “ Landscape with shallow water – the water is not blue”
He asked: “What color is not blue?”
Jill and Lear asked those who worked with the visually impaired
to be trained so they could lead the visitors safely through the garden.
Some days had as many as 200 visitors who not only had an opportunity
to touch works of art but also we fed a lunch prepared by Jill.
After Lear Cherrington died in 1991 Jill closed Eagle Point
and built a house with a studio in Mebane so that she could focus on her
painting.
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Painting
Most people in Alamance County have seen her trademark floral
paintings. But Jill has continually challenged her goals. One of her mottoes
is that she tries to do one scary thing a day. This led her to the new
millennium with series such as Rivers of Life and Ancient Residences,
trees and collages of all sorts. She has even done some work on sheets
of aluminum. Her work continues to evolve in style and quality. She is
continually challenging herself to become a better artist. Her paintings
hang in locations all over the United States and in other countries.
Not shunning commercial ventures, Jill has had cutting boards,
tote bags and doormats made from her paintings. She has a place in Who
is Who in American Art.
Community Service
Jill’s service to the community is varied. She has
been president of the NC Watercolor Society, and served on the Alamance
Arts Council board. She has been a motivational speaker for several businesswomen’s
organizations.
Since her paintings are so popular she has been asked to
donate some of her work for charity. She estimates there are about ten
paintings a year go to good causes. Prints of her paintings have been
given to higher lever donors at the United Way.
In 1998 her friends and art students started donating money
to begin a Jill Troutman scholarship and Alamance Community College. The
funds in this scholarship have accumulated so that two scholarships a
year can be given to students in the Graphic arts Department.
Teacher
Art education has been very important in Jill’s life.
Her “can do” attitude is infectious, making her students think
they can succeed at almost any artistic form.
She was involved in having children paint large canvasses
at Arts Around the Square and later at the Dogwood Festival in Mebane.
She supplied the large canvasses and paints from her own supplies. The
Dogwood Festival paintings hang in the Mebane library and in the Fire
Department. Jill was there encouraging the children as they painted, and
offering them suggestions about color and form.
Jill started teaching adult students in 2001 . More than
150 people have gone through her classes. She demonstrates and chides
and mostly encourages. To give her students confidence she has cultivated
venues for her students to show and sell their paintings. The community
can see the student works in places as varied as chiropractic offices
and theaters.
One of Jill’s most recent projects has been Artists’
Incredible Edibles a cookbook. She had her students paint food art pictures
and submit recipes to create a gourmet cookbook. The proceeds from the
sale of these books go to benefit Alamance County libraries to purchase
books and videos on how to paint and create art. The group started with
a plan of printing one thousand books, but the number was doubled in part
due to the enthusiasm of the Friends of the Library.
In General
Jill’s view of art is so vast. She shares this
knowledge and experience liberally with her students. “Think outside
the box”, “Do one terrifying thing a day”, “It
is not brain surgery, so try it.”, and “You can’t paint
something you can’t fix.” Her enthusiasm is contagious; her
energy is boundless. She keeps moving on to new things: art in Italy,
one hip and three knee replacements, more classes, and always new ways
of seeing and looking.
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